ArchivesSpace at the University of Iowa

Bag is addressed to Luc Fiierens. -- Source of annotation: Marvin or Ruth Sackner.

This publication is based on the Lewis Carroll masterpieces "Alice's Adventures in Wonderland" and "Through the Looking Glass and What Alice Found There." Vittore Baroni had a life-long fascination with the writing of Carroll and Alice's adventures. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Guy Bleus. This catalogue includes an introductory essay by Guy Bleus with definitions of the artist book. It also includes brief statements by several artists on the artist book, viz., Fernando Agiuar, Albrecht d., Carl Andre, Mirella Bentivoglio, Piermario Ciani, Robin Crozier, Guillermo Deisler, Goivanni Fontana, H.R. Fricker, John Held, Jr., Judith Hoffberg, Joel Hubaut, Ray Johnson, Ruggero Maggi, Robert C. Morgan, Geza Perneczky, Gunther Ruch, Serge Segay, Chuclk Welch, and Rea Nikonova. Several works depicted in the catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This volume of Miglietta's collection of concrete and visual poetry served as the catalogue for the exhibition at the Castello di Carlo V, in Lecce in November 1996. It was subtitled, "Sperimentazione, Verbo-Visuale, Multimediale, Mail-Art." The actual dates of completion of the catalogue was June 1996. The Sackner Archive is listed with contributions of catalogues to Miglietta of the 1984 Archive listing and several selected exhibition catalogues. -- Source of annotation: Marvin or Ruth Sackner.

Contains International Art Post Editions Vol.1 No.1 1988, Vol.1 No.2 1988, Vol.2 No.1 1989, Vol.2 No.2 1989, Vol.2 No.3 1989, Vol.3 No.1 1990, Vol.4 No.1. 1991, Vol.5 No.3, 1992, Vol.6 No.1 1993, Vol.7 No.1 1994, Vol.12 No.12. Also contains Artistamp News Vol.1-6 (1-8) and issue number 11. The stamp sheets are held within plastic sleeve pages. Stamp sheets have been added from 1991-1999. Anna Banana signed and numbered some of her stamp sheets. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Piermario Ciani. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Ruggero Maggi. The essays and art works in this book all relate to the chaos and fractal theory in mathematics, art and poetry. As Angelo Bertani writes in his essay, On Apparent Order and Chaos, "What seems to be extremely significant is the artist's need (now extremely widespread) to go out from protected, appointed places and instead, contend directly with existence, with the richess of material, with the spaces of life: in this sense, the creeping crisis of painting, the growing prevalence of installations and video-works are a sign, beyond the current fashion of the will to contend with change, accident and the relative: the other names for chaos. Moreover, in a world where technology prevails, perhaps only the ways of art can inser ta fragment of liberty into the oppressive mechanism of necessity." -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Al Ackerman, James Rosenquist and Paul Rutkovsky. -- Source of annotation: Marvin or Ruth Sackner.

Buzz Spector contributes essay on Mail Art. -- Source of annotation: Marvin or Ruth Sackner.

Guy Bleus writes in his introduction, "The exhibition 'Mail-Art Memorabilia' shows a wild historic and global vision about the reciprocal activities of the transnational and eternal mail-art network. The works and documentation of more than 260 mail-artists from 28 countries are a part of the huge archive." -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Stephen Perkins. The catalogue consists of brief comments by the editors and cover reproductions of over 300 zines. -- Source of annotation: Marvin or Ruth Sackner.

Lara placed an image on the left side of a page of a dentist working on a child. The contributing artists added unique material to the right side of the page and sometimes altered Lara's image. -- Source of annotation: Marvin or Ruth Sackner.